Snuffed Films: Chinese Horror Death & Best Chinese Language Horror Movies


It’s the season to snuggle up with a loved one and watch everything from cheerleaders slaughtered by masked villains on prom night to poltergeists kidnapping little girls on TV. It’s hard to believe (maybe not that hard) that in a country filled with everyday examples and evidence of spirituality fortune tellers, phantom money, temples and qi-to exploit feng shui that cheap thrills like horror movies are technically prohibited.

For example, no “real” ghosts are allowed in the movies as they represent superstition and / or sometimes / somehow / other worship activity in a realistic way. The only ghosts allowed in movies or television must be in the form of dreams or imaginations. Using haunted spirits instead of haunted houses was a loophole used in The house that never dies, released last year, where the protagonist is apparently dosed with LSD (equally illicit) to induce various kinds of paranormal brain activity and ghostly appearances.

The dilemma surrounding horror films and their lackluster reception seems to point its ugly head at least once a year, the most recent being the mixed US box office results (opening $ 13.1 million) of Crimson woodpecker. Realized by Guillermo Del Toro, considered by many to be the man at the head of the horror genre and known for classics like Cronos and Pan’s Labyrinth, Crimson woodpecker Should have performed well and has received critical acclaim, but has yet to recoup its production costs ($ 73 million).

Many big-budget movies rely on China to recoup these expenses, and a deficit as large as $ 60 million is enough to make any movie director in his boots tremble like a zombie. Is it time to revisit these archaic regulations, or should we wait for harmless films like the highly anticipated ghost hunters reboot to hit the shelves of DVD stores an unprofitable result for both the Chinese film industry and Hollywood.

To help cope with the continuing scarcity of horror films, I’ve compiled some exciting selections below to please you, which are either produced in Hong Kong or slipped through the cracks of censorship.

Dream house (2010)
Although more of a psychological horror film, this bloody classic is set in Hong Kong and is apparently based on a true story and follows a young woman who has been saving money for years to buy. the apartment of her dreams, but after the deal is struck, she is forced to kill (a lot) to finally make her dream come true. Be warned, two spectators threw up and one passed out during the premiere at the Far East Film Festival in Udine, Italy.

Midnight song (1937)
A Chinese remake by Gaston Leroux The Phantom of the Opera, and the very first horror film to come from China, this classic film is filled with relentlessly dark cinematography and classically deranged sets. It borrowed a lot of elements from the Western cinema of the time and imbued it with Chinese opera tropes, which got it rejected upon its release, but time has made it a scary classic for moviegoers.

Dumplings (2004)
This film has all the elements to make it a classic of Hong Kong cinema, featuring an aging actress who begins to dabble in cannibalism in order to fight against her invasive wrinkles. Dumplings has a bit of a treat for foodies and horror fanatics and stars crazed reality TV star Ling Bai as the chef who serves the most “delicious” baby dumplings in all of Hong Kong. Lots of “ewwww” moments to be found in this gem.

The eye (2002)
The Pan Brothers made this supernatural film, considered one of the best Chinese horror films ever made. The film follows a woman who undergoes a retina transplant and immediately begins to see ghostly appearances after the procedure. The visions are usually followed by some pretty gruesome death sequences that are sure to give you chills. The eye spawned a gruesome American remake, which only strengthened the original’s place as a very scary horror film.

A Chinese ghost story (1987)
This Cantonese romantic comedy horror film starring Leslie Cheung, Joey Wong and produced by Tsui Hark, sparked a trend for ghost folk films in the Hong Kong film industry and is arguably the funniest film of this group. . Leslie Cheung plays a traveling tax collector who falls in love with a ghost trapped in the bondage of a sinister demoness. Far from being scary, this is a ghost movie for those of you who can’t handle more sinister films about paranormal activity.

Happy hauntings!

READ: The Ghost of Stone Tiger Hutong: A Beijing Halloween Tale

Images:,,,, cinemablend

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